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Avid Pro Tools HD OMNI Audio Interface

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Avid Pro Tools HD OMNI Audio Interface

Achieve pristine-quality sound and clarity—without the bulk or expense. Avid Pro Tools | HD OMNI is an all-in-one preamp, I/O, and monitoring interface designed for Pro Tools | HD systems that enables you to capture every detail and nuance of a performance. Capture high-resolution audio through premium mic preamps. Connect gear to a wide array of analog and digital I/O. And monitor sessions in up to 7.1 surround—all from a compact interface that takes up just a single rack space. Plus, with its new lower price, getting great sound is even easier than ever.

Avid Product Overview (A perpetual license (included with Upgrade Plans) is a license that does not expire, it continues to authorise Pro Tools even if you do not renew your plan.)

From new MIDI editing enhancements and retrospective MIDI recording, to track presets that enable you to save your favourite effects chains and instrument sounds, Pro Tools keeps your creativity flowing. That’s why top artists, musicians, and audio professionals choose it for everything they do. Because when you need to sound your best, nothing delivers like Pro Tools.

When deadlines are looming, Pro Tools offers timesaving tools to streamline your creative workflow. Whether you’re making music or producing soundtracks for picture—on your own or collaboratively with others in the cloud or in the studio—Pro Tools maximizes your efficiency, so you can stay inspired and focused to deliver your best work possible.

No matter who you are or what you do, there’s a Pro Tools for you. Get the lowest cost of entry with a subscription. Purchase and own the software outright. Upgrade your sound with a Pro Tools system. Or get started with Pro Tools | First, a free version of Pro Tools. The choice is yours.

We strive to make Pro Tools the best creative tool you could ever want. That’s why we release a steady stream of new features and improvements throughout the year to all Pro Tools users with an active subscription or Software Updates + Support Plan (included with new perpetual license purchases). This ensures you always have access to the latest software, plus support whenever you need it.’

  • Analog Inputs 4
  • Analog Outputs 8
  • Mic / Instrument Inputs 4 (2 simultaneous inputs at a time)
  • Mic Pre Gain 65 dB
  • Headphone Output 1
  • Monitoring Formats 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
  • Speaker Selection 2 sets
  • Persistent Mixer 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
  • AES/EBU I/O 2 + 8
  • AES Single-Wire (192 kHz) Yes
  • S/PDIF I/O 2
  • ADAT I/O 8
  • S/MUX S/MUX II and IV
  • Word Clock I/O 1 In + 1 Out
  • Loop Sync I/O 1 In + 1 Out
  • Curv Yes
  • Soft Clip Yes
  • Digital Interface DigiLink Mini
  • Chassis 1U rack-mountable chassis
  • Mic Inputs
  • Frequency Response 20 Hz – 20 kHz (± .05 dB)
  • Gain Range 65 dB
  • EIN -128 dB
  • THD+N -107 dB (0.00045%)
  • CMRR -93 dB
  • Line Inputs
  • Frequency Response 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range 118 dB (A-weighted)
  • THD+N -111 dB (0.00028%)
  • Line Outputs
  • Frequency Response 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range 120 dB (A-weighted)
  • THD+N -108 dB (0.00039%)
  • Line Output Level / Trim +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)
  • Headphone Outputs
  • Frequency Response 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range 118 dB (A-weighted)
  • THD+N -107 dB (0.00045%)



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