Behringer Poly D Analog Synthesizer Ex-Display

Behringer Poly D Analog Synthesizer Ex-Display Overview

This item has been on display and shows small signs of use; is missing the manual, but this can be easily downloaded.

Behringer Poly D Analog Synthesizer

Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step sequencer and Arpegiator

POLY D The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer POLY D lets you conjure up virtually any monophonic or polyphonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO. Owning a POLY D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!

True to the Original Great care has been taken in designing the POLY D including the true to the original “D Type” circuitry with its matched transistors and JFETs, ultra-high precision 0.1% thin film resistors and polyphenylene sulphide capacitors. This highly-focused attention to detail is what gives the POLY D its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects, progressive organ sounds – and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock, wave and synth-pop music forever, making them truly classic in every sense of the word. POLY D’s pure analog signal path with legendary VCO, VCF and VCA circuits, lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right!

Three Modes to Choose From With the POLY D, you can get the best of three worlds by switching between monophonic, polyphonic or unison modes. With the POLY D set to Mono, you can have the characteristics of a classic monophonic synth with fuller, more expressive solos, bass lines and portamentos. Flipping the switch to Poly allows you to play more than one note at the same time to produce stunning chord harmonies and luscious pads that add soul and depth to your music. Unison Mode thickens up your sound by layering all of the POLY D’s voices on top of each other, adding more harmonic content and creating a richer sound.

Four VCOs The POLY D has four highly-flexible Voltage Controlled Oscillators (VCOs) that provide an incredible range of 5 waveforms for sculpting the perfect sound. Oscillators 1, 2 and 3 options include: triangular; triangular/saw; saw; square; wide pulse; and narrow pulse, while OSC 4 features: triangular; reverse saw; saw; square; wide pulse; and narrow pulse. Additionally, all 4 VCOs can be adjusted across an extremely-wide, 6-octave range (LO, 32’, 16’, 8’, 4’ and 2’). This amazing flexibility gives you all the tools you need to be your creative best.