Fender FSR Japan Jazzmaster, Pink Paisley

Product discontinued

Fender FSR Japan Jazzmaster, Pink Paisley

Product discontinued

Fender FSR Japan Jazzmaster, Pink Paisley Overview

Fender Jazzmaster Pink Paisley Japan FSR Overview by GAK

Celebrating the 60th Anniversary of the Alt-Rock Classic, the Mighty Fender Jazzmaster. Originally bought to market in 1958 designed by Freddie Tavares to address Leo Fender's need for an affordable Jazz guitar, it boasts one of the mellowist Neck Pickup sounds out there. That, coupled with the smooth vibrato from the floating tremolo unit, made for some interesting sounds, but never really found it's feet with Jazz musicians. Instead, when coupled with the "new" Fender tube driven spring reverb, the sound of surf music was created!

By the 1970's the "top of the range" Jazzmaster hadn't caught on and could be picked up in pawn shops for next to nothing compared to a Strat or Tele. Just as New Wave broke, the likes of Television, Elvis Costello and The Cure were picking up these guitars and using them in a different way. By the time Sonic Youth, Dinosaur Junior and My Bloody Valentine got around to using them, it was about as far from Jazz as you could get.

In recent years this guitar has almost become so synonymous with "alternative" music that it's secured a place alongside the bigger brothers, Stratocaster and Telecaster. Celebrating 60 years of offset-contour-body, Fender bring to market these killer pink paisley and blue flower Jazzmasters.

5 out of 5
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Rated 5.00 out of 5 20/5/2019

Superb guitar (yet another!), that has wowed the whole family, even my beloved wife - Photos do not do the glowing pink Paisley psychedelic paint-job justice. At last a guitar that has a really different old style character. One thing I will say is that if you are a 'set up' nut, fiddler type tweaky fiend, there is a 'lot' that is different about the Jazzmaster, and it is worth making sure you set it up properly as some aspects of correct adjustment are very different. Absolutely brilliant nonetheless.

Martin Bennett