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Yamaha MSP 7 Studio (Single)

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Active Studio Monitors

The trend towards choosing powered speakers for production monitoring is based on some very sound logic. By integrating and matching the power amplifiers and speakers, the relationship between them can be kept under perfect control for superior performance in the widest possible range of systems.

Naturally the power amplifiers themselves are of the finest quality and, unlike component power amplifiers that must be designed for acceptable matching with the widest possible range of speakers, are designed and manufactured specifically to drive the system's woofer and tweeter in their specific enclosure.

No matter where the MSP7 Studio monitors are used, and with what sources or other audio gear, you know that you're always receiving the benefits of a perfectly matched power amplifier and speaker system. You'll hear the difference. You'll also benefit from the convenience of not having to deal with external amplifiers and cabling.

Advanced Bi-Amp Design

There are a number of advantages to multi-amp speaker setups, but the added cost and extra equipment required can make them impractical in many situations. With the MSP7 Studio everything you need is built-in - all you have to do is supply the line-level input. The 6.5 inch cone woofer is driven by an 80-watt power amplifier, while the 1 inch dome tweeter has its own 50-watt power amplifier. In the MSP7 Studio this particular power and driver combination results in the perfect balance between the low-mid and high frequency ranges. The frequency ranges are divided via a carefully designed electronic crossover before the power amplifier inputs, featuring steep 30-dB/octave roll-off curves in both the low- and high-pass filters. The steep roll-off minimizes inter-modulation between the frequency bands at the crossover point, achieving significantly smoother, cleaner crossover performance in the critical midrange. And the fact that the crossover is a linelevel electronic design completely eliminates the loss, distortion, and sometimes severe inter-modulation that are almost unavoidable in conventional passive crossover networks driven by a single power amplifier

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  • General
  • Type Biamp 2-way Powered Speaker
  • Crossover Frequency 2.5 kHz
  • LF: 30dB/oct, HF: 30dB/oct
  • Overall Frequency Response 45 Hz - 40 kHz (-10 dB)
  • Maximum Output Level 106 dB, 1 m on Axis
  • Dimensions (W x H x D) 218 x 330 x 235 mm
  • Weight 12.2 kg
  • Magnetic Shielding Yes
  • Speaker Section
  • Components
  • LF 6.5" cone
  • HF 1.0" Titanium dome
  • Enclosure
  • Type Bass-Reflex
  • Material PP
  • Amplifier Section
  • Output Power *
  • LF 80 W; THD = 0.05 %, RL = 4 O
  • HF 50 W; THD = 0.05 %, RL = 6 O
  • S/N, IHF-A filter > 99 dB, LEVEL = Max
  • Input Sensitivity
  • XLR-3-31 4 dBu, LEVEL = Center -6 dBu, LEVEL = Max
  • Phone -
  • Input Connectors, Impedance XLR-3-31 (balanced), 10 kO
  • Output Connectors -
  • Controls
  • Level control 31 Positions Detent type VR; (Min = -8 Attenuation)
  • Low Cut switch FLAT/80 Hz (12 dB/oct)/100 Hz (12 dB/oct)
  • High Trim 1.5/0/-1.5 dB at 15 kHz
  • Low Trim 1.5/0/-1.5/-3 dB at 45 Hz
  • Power Switch on/off
  • Phase Switch -
  • LPF control -
  • Indicators LED
  • Green: Power On
  • Red: Clipping
  • Power Consumption 100 W
FINANCE

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GAK.CO.UK LTD is registered in England and Wales 04578270. Registered office: 30 - 34 North Street Hailsham East Sussex BN27 1DW GAK.CO.UK LTD acts as a credit broker and only offers credit products from Secure Trust Bank PLC trading as V12 Retail Finance. GAK.CO.UK LTD is an appointed representative of The Guitar Amp and Keyboard Centre Limited which is authorised and regulated by the Financial Conduct Authority. GAK.CO.UK LTD FCA registration number is 731400. The Guitar Amp and Keyboard Centre Limited FCA registration number is 684977. Credit provided subject to age and status

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