Fender FSR Tone Master Deluxe Reverb Amp, Blonde

Available to Order

Stock expected May 2024

Awaiting stock.

Order today and we will contact you with an estimated delivery date.

Fender FSR Tone Master Deluxe Reverb Amp, Blonde

Available to order

Stock expected May 2024

Awaiting stock.

Order today and we will contact you with an estimated delivery date.

£1,049.00 £1,119.00
Get it tomorrow
left to order

Enjoy 0% interest for 4 months on all orders over £99. Learn more

V12 Finance Logo

Repayments from £30.98 per month 19.9% APR representative. Learn more

  • Finance available

Fender FSR Tone Master Deluxe Reverb Amp, Blonde Overview

In a bold Fender first, the Tone Master Deluxe Reverb Blonde amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 22-watt power output of an original Deluxe tube amp. A high-performance 100-watt digital power amp is used to achieve the headroom and dynamic range of a real vintage Deluxe tube amp. The resonant pine cabinet is paired with a single Celestion® NEO Creamback speaker for a more distinctive rock 'n' roll flavor. The result is tubeless Deluxe Reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. The amp model has been modified to remove the virtual bright cap on the Vibrato channel, which gives modern players greater tonal flexibility when using distortion and overdrive pedals. Additionally, the reverb control now provides easier fine tuning at lower settings. Perhaps most notably, even with all these features and more, the Tone Master Deluxe Reverb is in fact about only half the weight of an all-tube Deluxe.

The blonde vinyl covering elegantly evokes classic early-’60s Fender vibe, and front panel features give guitarists a playing experience identical to the tube version, including Fender’s world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations captured with Shure SM57 and Sennheiser MD421 microphones, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.

With

{{getFormattedEuroPrice(DepositValue, 0)}}

deposit ({{getRoundNumber(DepositAsPercentage, 0)}}%)

Finance products loading indicator

NAME

APR

{{euroPriceDataCurrencySymbol}} p/m

{{product.Name}}
{{product.APR}}%
{{getFormattedEuroPrice(product.Installment, 2)}}

Total finance: {{getFormattedEuroPrice(CurrentAmount - DepositValue, 2)}}

Finance example: {{SelectedProductDescription}}

Only available to UK residents, subject to age, status and affordability. To apply for finance, add the product to your basket, proceed to checkout and select 'Apply for Finance' as your payment option where you can complete the application form online.

GAK.CO.UK LTD is registered in England and Wales 04578270. Registered office: 30 - 34 North Street Hailsham East Sussex BN27 1DW. GAK.CO.UK LTD is the broker and not the lender and only offers credit products from Secure Trust Bank PLC trading as V12 Retail Finance. GAK.CO.UK LTD is an appointed representative of The Guitar Amp and Keyboard Centre Limited which is authorised and regulated by the Financial Conduct Authority. GAK.CO.UK LTD FCA registration number is 731400. The Guitar Amp and Keyboard Centre Limited FCA registration number is 684977. Credit provided subject to age and status. Minimum spend applies. Not all products offered by Secure Trust Bank PLC are regulated by the Financial Conduct Authority.

V12 Retail Finance Limited. Registered in England and Wales 4585692. Registered office: V12 Retail Finance Limited, Yorke House, Arleston Way, Solihull, B90 4LH. Authorised and regulated by the Financial Conduct Authority. Our FCA reference number is 679653.

5 out of 5
1 review
  • 5 stars (1)
  • 4 stars (0)
  • 3 stars (0)
  • 2 stars (0)
  • 1 star (0)
Rated 5.00 out of 5 22/8/2021

I`ve owned a `65 reissue version and this looked like a more user-friendly amp for my needs ( ie lighter and with emulated output and 5 wattage choices ). To my ears, the sound is identical to the heavier and more expensive `65 reissue so choosing this one was very easy. One slight disappointment was the bare pinewood visible on the inside of the cabinet. For this price, I expected at least a coat of paint, if not tolex.

Peter Stokes